DROP is a work divided into seven chapters designed as autonomous videos, installations and A/V performances.
The work is part of a wider research on the dialectical relationship between the concept of Infinity and Control as a fundamental issue of human nature.
In particular, in DROP the focus is on the body as a tool to perceive and control the material world. The body as an emblem of finite matter, inextricably connected to the spirit as a gate towards the Infinite.
DROP‘s underlying layers are inspired by autobiographical facts.
A serious road accident confines a dancer to a period of enforced immobility. The interruption of her life plan forces her to look deeper inside herself.