DROP is a work divided into seven  chapters  designed as autonomous  videos, installations and A/V performances.

The work  is part of  a wider  research  on the  dialectical relationship  between the concept of Infinity and Control as a fundamental issue of human nature.

In particular, in DROP the focus is on the body as a tool to perceive and control  the material  world. The body as an emblem  of  finite  matter,  inextricably connected  to  the spirit as a gate towards the Infinite.

DROPs underlying layers are inspired by autobiographical facts.

A serious  road  accident  confines a dancer to a period of enforced  immobility. The  interruption  of  her  life  plan forces her to look deeper inside herself.