DROP is a work divided into several chapters designed as autonomous videos, installations and A/V performances.

Each of these chapters deals with one aspect of the whole work concept.

The work is part of a wider research on the dialectical relationship between the concept of Infinity and Control as a fundamental issue of human nature.

In particular, in DROP the focus is on the body as a tool to perceive and control the material world.

The body as the emblem of finite matter, inextricably connected to the spirit as a gate towards the Infinite.

DROP‘s underlying layer is inspired by autobiographical facts.

A serious road accident condemns a dancer to a period of enforced immobility. The interruption of her life plan forces her to look deep inside herself in search of the meaning of life itself.